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J.S.Bach The Art Of Fugue BWV 1080 Evgeni Koroliov (1999)

 
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MessagePosté le: Lun 2 Mai - 04:04 (2016)    Sujet du message: J.S.Bach The Art Of Fugue BWV 1080 Evgeni Koroliov (1999) Répondre en citant




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J.S.Bach The Art Of Fugue BWV 1080 Evgeni Koroliov (1999)

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This autograph is typically referred to by its call number of P200 in the Berlin State Library. 4 (Autumn, 1990), pp. Schulenberg. The dotted rhythm, enhanced by these little rising and descending groups, suggests what is called "French style" in Bach's day, hence the name Stylo Francese.[5] play principal subject(helpinfo) 7. Finally, since the bass voice in The Art of Fugue occasionally rises above the tenor, and the tenor becomes the "real" bass, Leonhardt deduces that the bass part was not meant to be doubled at 16-foot pitch, thus eliminating the pipe organ as the intended instrument, leaving the harpsichord as the most logical choice.

Arthur Winograd by Winograd String Orchestra (ca 1952) Hermann Scherchen with Orchestre de la RTSI (1965)[19] Karl Ristenpart with Chamber Orchestra of the Saar (1965) Karl Mnchinger with Stuttgart Chamber Orchestra (1965) Neville Marriner with Academy of St Martin in the Fields (1974) Lukas Foss with I Soloisti di Pickup (1977) orchestrated by William Malloch Jordi Savall with Hesperion XX (1986) Erich Bergel with Cluj Philharmonic Orchestra (1991)[13] Rinaldo Alessandrini with Concerto Italiano (1998) Stuttgart Chamber Orchestra (2002) . A second edition was published in 1752, but differed only in its addition of a preface by Friedrich Wilhelm Marpurg. "Accident or Design? New Theories on the unfinished Contrapunctus 14 in JS Bach's The Art of Fugue, BWV 1080", The University of Auckland PhD thesis "Johann Sebastian Bach's The Art of Fugue", article Uri Golomb, published in Goldberg Early Music Magazine Ars Rediviva: Sound Recordings Library, The Art of Fugue, Contrapunctus VIII description of documentary film Desert Fugue Electronic realization by Klangspiegel Completion of Contrapunctus XIV by Paul Freeman Bach, Alphametics and The Art of Fugue "Le concert d'Irena Kosikova a fait un tabac", La Dpche du Midi, 11 August 2014 (French) . In 2007, New Zealand organist and conductor Indra Hughes completed a doctoral thesis about the unfinished ending of Contrapunctus XIV, proposing that the work was left unfinished not because Bach died, but as a deliberate choice by Bach to encourage independent efforts at a completion.[11][12]. 1. A handwritten manuscript of the piece known as the Unfinished Fugue is among the three bundled with the autograph manuscript P200. Quartetto Italiano (1985)[18] Juilliard String Quartet (1989) Emerson String Quartet (2003) Vittorio Ghielmi and "Il Suonar Parlante" viols quartet (2009) with Lorenzo Ghielmi on a Silbermann piano and harpsichord . The fugue types used are reminiscent of the types in The Well-Tempered Clavier, rather than Bach's ensemble fugues; Leonhardt also shows an "optical" resemblance between the fugues of the two collections, and points out other stylistic similarities between them.

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